公益財団法人日本デザイン振興会 公益財団法人日本デザイン振興会

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Hiroshi Naito
Chairman, Japan Institute of Design Promotion (JDP)

I am honored to serve as the new Chairman, filling the big shoes left by Mr. Motomi Kawakami. Our signature project, the Good Design Award, continues to flourish under the leadership of the Chair of the Judging Committee. In addition to managing the award, JDP has been steadily promoting design in increasingly diverse fields. Since these activities have been successfully continuing for nearly 70 years, I believe my role as Chairman is to protect that legacy.

We must remember that a product cannot exist unless there are people who wish to buy it. The form of that product is determined by its design. Unfortunately, however, Japanese policy thus far has not prioritized design. This is despite the fact that Japan must rely on foreign income generated by the export of products.

Design has likely thrived in Japan thanks to the wisdom of individual companies. Good products sold well because they were appreciated by the market. Bad products did not last long because they were shunned by the market. In other words, the market judged the quality of products. This system worked well when our economy continued to expand steadily. However, we now face various changes, including climate change, the revolutionary growth of information technology, the rapid aging of our population and changes in our lifestyle due to a maturing economy, and emerging economies that are quickly catching up to us by prioritizing design in their national policies. Given this situation, Japan needs to shift its attitude toward design. JDP and the Good Design Award should play an even greater role in promoting design throughout Japan.

We must also rethink the word “design.” This word, which has only seen casual usage until now, can be developed into a more strategic and creative tool. In recent years, “design” has expanded beyond the design of objects, and has come to refer to a wide range of systems behind objects. Regardless of what it is, I believe that good, attractive design has a “touch of the near future.” Through design, people envision a new way of life, imagine themselves living that life, place their hopes in that future, and try to make that life a reality. Therefore, all designs look towards the future: not a distant and unrealistic future, but a near future that each person can attain. While seeking functional designs that fulfills their needs, people also hope to obtain a “touch of the near future.”

Over the past several decades, many revolutionary devices and technologies have changed the way we live, including cell phones, LCD TVs, computers, the internet, and hybrid cars. These superb objects and systems all have a “touch of the near future.” Filled with countless dreams, they are designed with distinct visions of the near future.

The Good Design Product Selection Program (the predecessor of the Good Design Award) was established in 1957 to support the creation of products that can be sold abroad. Since then, our annual selection process has led to heated discussions on what constitutes “good design.” The definitions of “good” and “design” change with technological innovation and various circumstances of the moment. However, no matter what those circumstances are, the essence of JDP’s activities—to find and evaluate new designs that have a “touch of the near future” and to promote them widely—remains the same.

As the new Chairman, I look forward to ensuring that these excellent activities continue to thrive.

Hiroyuki Fukano
President Japan Institute of Design Promotion (JDP)

Founded in 1957, the GOOD DESIGN AWARD celebrates its 70th round this year. Over the past seven decades, the award has continued to engage with society, respond to the priorities of each era, and evolve alongside changes in everyday life, industry, and technology. Today, it stands as a comprehensive and open international design award, receiving more than 5,000 entries from Japan and around the world.

Submissions cover a wide range, from tangible designs such as product design and architecture to intangible initiatives such as software and social contribution activities, with many entries also crossing the boundaries of individual fields.

Last year, 1,619 works received the GOOD DESIGN AWARD. Each award-winning work reflects a distinct trajectory: some are the outcome of years of sustained effort, while others represent emerging designs expected to generate new value for daily life, industry, and society. The works address challenges ranging from global issues such as climate change to locally rooted concerns, delivering tangible outcomes. They also demonstrate a wide diversity of perspectives—advancing technology in some cases, and eliciting human empathy in others. Those engaged in design also vary widely, including large corporations, small and medium-sized enterprises, startups, NPOs, local governments, and national agencies. This convergence of diverse approaches is one of the defining characteristics of the GOOD DESIGN AWARD.

During the screening process, a judging committee of approximately 100 leading experts conducts extensive deliberations. The award’s evaluations are grounded in these rigorous discussions. The 2026 program will begin under the leadership of the newly appointed chairperson and vice chairpersons of the judging committee.

Through the GOOD DESIGN AWARD, our mission remains unchanged: to identify outstanding design, communicate it broadly, and harness its potential to help shape a richer, more livable, and sustainable future.

We warmly invite all those engaged in design to participate and help further enrich GOOD DESIGN as a valuable asset of our time.

April 1, 2026

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