Messages
Hiroshi Naito
Chairman, Japan Institute of Design Promotion (JDP)
I am honored to serve as the new Chairman, filling the big shoes left by Mr. Motomi Kawakami. Our signature project, the Good Design Award, continues to flourish under the leadership of the Chair of the Judging Committee. In addition to managing the award, JDP has been steadily promoting design in increasingly diverse fields. Since these activities have been successfully continuing for nearly 70 years, I believe my role as Chairman is to protect that legacy.
We must remember that a product cannot exist unless there are people who wish to buy it. The form of that product is determined by its design. Unfortunately, however, Japanese policy thus far has not prioritized design. This is despite the fact that Japan must rely on foreign income generated by the export of products.
Design has likely thrived in Japan thanks to the wisdom of individual companies. Good products sold well because they were appreciated by the market. Bad products did not last long because they were shunned by the market. In other words, the market judged the quality of products. This system worked well when our economy continued to expand steadily. However, we now face various changes, including climate change, the revolutionary growth of information technology, the rapid aging of our population and changes in our lifestyle due to a maturing economy, and emerging economies that are quickly catching up to us by prioritizing design in their national policies. Given this situation, Japan needs to shift its attitude toward design. JDP and the Good Design Award should play an even greater role in promoting design throughout Japan.
We must also rethink the word “design.” This word, which has only seen casual usage until now, can be developed into a more strategic and creative tool. In recent years, “design” has expanded beyond the design of objects, and has come to refer to a wide range of systems behind objects. Regardless of what it is, I believe that good, attractive design has a “touch of the near future.” Through design, people envision a new way of life, imagine themselves living that life, place their hopes in that future, and try to make that life a reality. Therefore, all designs look towards the future: not a distant and unrealistic future, but a near future that each person can attain. While seeking functional designs that fulfills their needs, people also hope to obtain a “touch of the near future.”
Over the past several decades, many revolutionary devices and technologies have changed the way we live, including cell phones, LCD TVs, computers, the internet, and hybrid cars. These superb objects and systems all have a “touch of the near future.” Filled with countless dreams, they are designed with distinct visions of the near future.
The Good Design Product Selection Program (the predecessor of the Good Design Award) was established in 1957 to support the creation of products that can be sold abroad. Since then, our annual selection process has led to heated discussions on what constitutes “good design.” The definitions of “good” and “design” change with technological innovation and various circumstances of the moment. However, no matter what those circumstances are, the essence of JDP’s activities—to find and evaluate new designs that have a “touch of the near future” and to promote them widely—remains the same.
As the new Chairman, I look forward to ensuring that these excellent activities continue to thrive.
Hiroyuki Fukano
President Japan Institute of Design Promotion (JDP)
We are proud to announce that the 2024 winners of the GOOD DESIGN AWARD, the GOOD DESIGN BEST 100, as well as other special awards including the GOLD AWARD, have now been selected. We offer our heartfelt congratulations to all the winners.
This year, we received over 5,700 entries, almost matching the record number we had in 2021. With environmental crises and great technological advances bringing about rapid change, design is showing us a new era with values that differ from those of the past. Perhaps that is what led to the high number of entries we received.
Designing involves empathizing and discussing with others repeatedly, discerning the essence of what is needed, making improvements, and creating together. Designs that showed empathy in a variety of fields were once again selected this year through a judging process that focused on the best aspects of each work. I have the utmost respect for everyone involved in these excellent designs. I also express my sincere gratitude to the 101 members of the Judging Committee, including Chair Seiichi Saito, who worked tirelessly to examine each submission.
We will now begin selecting the winners of the GOOD DESIGN GRAND AWARD. In previous years, winners for this award were selected through votes cast by the Judging Committee, the recipients of other awards, and members of the public who visited the GOOD DESIGN AWARD EXHIBITION. This year, we are changing the format, and the Judging Committee and the recipients of other awards will vote for the GRAND AWARD winners from among the GOLD AWARD recipients. We are also launching a new initiative this year called Our Favorite G Mark, where all visitors to the exhibition are asked to vote for the best design among the GOLD AWARD winners. We are very interested to see how members of the public view the designs. We will announce the results (along with the GRAND AWARD winners) at the awards ceremony. We hope you are as excited as we are!
The highlights for this year's GOOD DESIGN AWARD will be the Awards Exhibition, which will be held from November 1st to 5th, and the Awards Ceremony, which will be held on November 5th. Please be on the lookout for further information.
October 16, 2024